Future Associate Founder Lindsay Adams has 20 years experience in Visual Effects. Lindsay has worked at many of the top VFX studios around the globe, including MPC, ILM, Weta, Animal Logic, Method Studios and Rising Sun Pictures. Some of his artist credits include 'The Avengers', 'Harry Potter and the Deathly Hallows', '300' and 'The Lord of the Rings: The Return of the King'.
Lindsay has served as Production VFX Supervisor on 'Crazy Rich Asians' and 'The Leftovers: Season 3', working closely with producers and directors on set and bringing their vision to life back in the studio with a team of artists. Lindsay brings a broad range of skills to solve modern film making challenges at his new studio, Future Associate.
With 35 years in the film and television industry, getting his start in regional television which launched a successful climb. He has served as General Manager, Creative Services for Deluxe Australia, Executive Producer for Method Studios - Sydney, General Manager of the Omnilab Group and managed his own successful Visual Effects company, Postmodern, for 10 years before it’s ultimate acquisition by Deluxe. He has also been involved on the creative side, directing television shows, and editing internationally.
Robinson’s credited works as Executive Producer, Visual Effects include “The Wolverine”, “I Frankenstein”, “The Great Gatsby”, “Argo”, “Seven Psychopaths”, “The Sapphires”, “Knowing”, “Gods Of Egypt”, Baz Luhrmann’s “Australia”, and George Miller’s “Mad Max: Fury Road”, not to mention a host of commercials for global brands such as Coca Cola, Audi and Heineken.
Lindsay was nominated for a VES Award for Outstanding Compositing in a Photoreal Feature for 'Mad Max: Fury Road'. The film was also nominated for an Oscar for Best Achievement in Visual Effects. Lindsay was nominated for a APDG Award for Best Visual Effects Design for 'The Leftovers: Season 3.'
Some of Lindsay's projects